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all about podcasting
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 Hello podcasters and welcome back to the Podomatic Feature Series! This week is a very special one for two reasons. One, this our first time debuting a podcast and two, it’s our first feature on a podcast created and hosted by a 10 year old! Introducing At Your Level Podcast, the podcast For kids, By kids! This is one of the best podcasts to come out of our #PODCASTINGCOVID effort (click link for details) and host Ari keeps us well informed throughout episode one. A very well thought out and produced show, Ari not only brings on guests of his peers to weigh in on his topics, there’s an ASMR “Guess That Sound” round for you to try to win and more! I can’t give away any more spoilers though, you simply have to go listen for yourself. Check out At Your Level right here on Podomatic and our interview with Ari below! Start Your Podcast Today! Ari, When, how and why did you start podcasting?
About 3 months ago I started having the idea of a podcast. I sent a ASMR to my friends and they sent me some funny responses. I played it for my mom and she loved it so we started creating and planning the outline. How did you pick a subject/topic? The first episode was originally going to be about dogs. I invited Bode & Lily because they have 2 dogs. And Chloe and Wesley because Daisy (the first dog they had) got put down and they adopted a new dog Bubbah that month. I was going to ask about losing a dog and how that felt. But then the schools closed and Bubbah tried to bite Wesley a few times and got very aggressive to Wes. There parents asked my mom if I can talk about a different subject. I also had planed to have my guests come to my house. My mom bought me equipment and I was going to have everyone sit together under one mic. I had to change that. So with all the changes it made sense to talk about the corona virus. But every episode will have a different subject if that’s what you mean. What do you want to be when you grow up and why? I want to be a vet because I always wanted to and I love animals (especially dogs). What's your advice for folks that haven’t pressed record yet? If you mean that they are going to record their own podcast, then try to keep your voice steady and even if nobody listens to it, remember you worked really hard and love doing it. If you mean they are going to press play to my podcast then think of all the ways you can participate.
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 Ouch, You’re on my Hair Podcast Alright metal-heads, zip-up your leather, fluff your mullets and crank it up to 11! This week we talk to Ouch, You’re on my Hair Podcast. Lifelong friends and headbangers Randy and Troy started this podcast a few years ago to have a place to discuss the music they love. As you all know, metal can come in many different shapes and sizes; from the heaviest shredding possible to the most tranquil soundscapes of a mythical forest, Ouch, You’re on my Hair has it all. With music, guests, games, battles, debates, and more, you're eardrums are sure to be as sore as your neck. Be sure to stay till the end to discover some premium riffs you’ve never heard before too. But don’t take my word for it, we talked to Randy about the podcast below. When, how and why did you start podcasting? Back in 2016, two best friends for over 35 years, Troy Nelson and Randy Helms decided they wanted to start a podcast about the music they love. They decided, lets do a podcast, which centers on 80s Metal, Album Orientated Rock (AOR), Glam, and anything else mullet related. The podcast does pay homage to those classic rock bands who started it all, as well as look at today’s new sounds of Rock-n-Roll. In April, 2017 Ouch, You’re on my Hair began, with the first podcast episode. Before long, Troy and Randy wondered if there were still upcoming bands, which still played the sort of Heavy Metal and Rock-n-Roll they grew up on. So they decided, let’s introduce our listeners to a new and upcoming unfamiliar band each week. The boys started showcasing two songs by the band, one at the first segment and then one which closes the show each week. Before they knew it, record companies and public relations groups started sending them tons of much each week. It was more than they could play on just one podcast episode a week, so they started the Radio Show. The Radio Show plays 12 songs by 12 different bands each week. Why is it important for some speed metal and thrash bands to stay in character off stage as well as on? Back in the old carnival days and still used today in the professional wrestling word, there is term known as ‘kayfabe’. The word basically means not allowing the audience in on the art of the act. For many speed metal and thrash bands, their fans love the presentation the band portrays on stage, as much as they love the music. For those bands, it works for them to remain in character off stage, so their fans see them in public as they see them on stage and neither the band nor the fans lose their love for each other. Describe some of the struggles you had when first building your audience and how you were able to keep them once they found you. Trying to promote the show and finding an audience has been difficult. Although the use of social media sites has helped, the problem becomes people only listen to one show, say one, which an interview was conducted by one of their favorite musicians. Every week on both shows, the boys tell their audience to go subscribe to them on places like Podomatic, but each week the numbers of subscribers stays low. Advice for people that haven’t pressed record yet? Don’t put it off another day. Ouch, You’re on my Hair began in 2017, but one year before both Troy and Randy talked about starting it, but waited. Looking back, that was a year wasted, which could have been used to record shows. Also, do it because you love it, not because you want to be popular. If you love it, you will never get tired of doing it.  This week on The Podomatic Feature Series we focus on music fans and what we all can do to help businesses through these historically unique times. Since 2013, the Chicago based NightClub UNDERGROUND has been podcasting DJ sets and mixes made by the talent that performs at the venue. UNDERGROUND’s podcast serves not only to promote the club and it’s amazing lineup; it also documents and preserves its history. Leaving you with hours of pumping mixes to get you through isolation. Like any business that relies on the general public’s attendance, UNDERGROUND is finding new ways to raise enough money to support their staff and reopen someday soon. Please visit their website to find out how you may be able to support UNDERGROUND during this time. When, how and why did you start podcasting? We felt early on that the Podcast channel and method of communicating was going to grow rapidly but more importantly we believed in our brand and our partners from a musical standpoint. We believed and still believe we have a standout musical product and we want to share!! Describe some of the struggles you've had with the COVID shut down, your current fundraising efforts, and how people can get involved. Well I think that for everyone trying to raise cash at the moment it's tough. This hasn’t only affected us in hospitality but its affected the whole globe in all industries. We have some great purchasable options for people on our site if they want to help. We felt it was important to offer some great deals and options rather than just asking for donations. Advice for people that haven’t pressed record yet? Podcasts will continue to grow in terms of communication channels. If you have something you are passionate about or believe others will be then you should get involved!!  Few topics ignite the imagination more than the unsolved and the unexplained. From the 1940s to today, there are thousands of missing persons cases in the U.S. that still remain unsolved. Since 2016, the Unfound Podcast has been investigating those cases and providing all of the information and evidence available, to get new leads on the mysteries. A True Crime show like no other, Unfound interviews the friends and family of the disappeared; walking you through each real case, step by step, revealing the events that led up to the disappearance and the characters involved. Scroll through the episode list. See a name you recognize? You may have the missing detail that breaks the case wide open! When, how and why did you start podcasting?
When? First episode came out Sept. 2016 – disappearance of Suzanne Lyall. How? I had been actually doing podcasting for several years in a totally different genre but had always followed true crime tv. Then in April 2016 I started my first true crime podcast with a co-host. After about 4 months, we decided to go separate ways. Then, I started Unfound on my own a few months later. Why? My motivation to start Unfound was I wanted to do a program that I would listen to. I wanted to do one in which I wasn’t just collecting info from Wikipedia and Websleuths and The Charley Project, etc. and reading the data off. I wanted to go to the people who have experienced these disappearances personally. I wanted to interview families and friends so these disappearances would feel a lot more personal to the listeners. Along the way, I think the way we do things at Unfound also reveals more relevant information than can be found anywhere else out there on the Internet. How did you pick a subject/topic? Well, technically, we don’t “pick” disappearances to feature. Instead, the guests choose to come on the program. We don’t cover a missing persons case unless someone can be interviewed. Yes, we send out emails and messages to family members when we can find them. But, they are the ones who choose to be on the program. But often times, they approach us first. Describe some of the struggles you had when first building your audience and how you were able to keep them once they found you. Struggles???? Hahahaha. Many. And the answer here will link in with the next question. But the first reviews of Unfound were HORRIBLE. 1 star. 1 star. 1 star. 2 stars. 1 star. On iTunes. I’m serious. Those kinds of reactions can cause a host to really do some soul searching. What I decided, and I think I’ve been proven right since then, is that those reviews were due to Unfound being different and NOT because I didn’t know what I was doing. How so? At the time in 2016, the true-crime public was used to the Serial podcast format which many other following podcasts copied. The hosts speaking in “NPR soft monotones” while obviously using scripts. Music being mixed in to add drama throughout the entire episode. All the episodes being less than an hour long. Cliffhangers before the ads so people will hang around for the next 15 minutes or next week’s episode. Then, Unfound comes along. I speak in my normal every day voice with my every day personality. Scripting is only about 10% of an entire episode—the rest is free form conversation between myself and the guest. Music only being at the beginning and end of the episode. Episodes sometimes going 3 hours long. NO cliffhangers and NO ads—that’s still true 3 and a half years later. What I’m saying is I did everything the opposite of what other hosts were doing at the time in 2016. And experienced true crime listeners who listened to Serial, etc. found Unfound revolting. Now, in 2020? Myself and my assistants now notice other podcasts copying Unfound. LONGER episodes. NO cliffhangers. More news and information, and less drama. How do we at Unfound keep an audience, some of whom rejected the program 3 years ago? By working harder than everyone else. Besides the episodes every Friday, I host a live show on YouTube on Wednesday nights. I host a private Think Tank on YouTube every Sunday evenings. I write 3000 words blogs on Patreon for every single disappearance we feature. I keep in contact with most of the guests who have been on the program—over 170 of them now. I have two assistants who monitor the Facebook Discussion Group (almost 7000 members) 24/7 to make sure the conversations there are PG-rated and on topic. Trolls are immediately banned. I have an assistant who does nothing but coordinates with future guests—she has been with me the longest. I have an assistant who is the moderator for the shows on YouTube—she also calls additional people if more coverage of a disappearance is needed. This assistant is also kind of an overseer of everything Unfound does to make sure we are headed in the right direction. I have an assistant who does nothing but YouTube and the new website—for example, Unfound is the only true crime podcast that converts its audio show into a video show within 24 hours of the episode airing on Podomatic. I have an assistant who works on nothing but special projects like sending out information requests if I feel something needs more investigation after a guest has been on the program. It takes ALL that in my opinion to show the audience that we take their listenership seriously, and that we want them to know we are working hard to continue to earn their trust. Advice for people that haven’t pressed record yet? #1. You MUST make a good program. What is a good program? One that is indicative of your values, ethics, and morals. A program that is a representation of who you are as a person. This will be important for your mental health. Don’t craft a program because it’s trendy or the latest fad. Design one based on what YOU think YOU should be doing. That will get you through the rough times because podcasting can be a grind. #2. Your good program must be . . . good. If you think you can just slide up to the microphone with no prep and wow people, you’re wrong. My best advice would be study how comedians put their routines together. They are meticulous. They agonize over every word. You should be doing that too. As far as equipment, I use a 15 year old microphone connected to a 2 yr old MacBook—I was using a Mac Mini before that. I use Garageband to record my side of the program and to edit the interviews. Some other hosts are more sophisticated. Some are less. It all depends on how technologically advanced you are. #3. You must be honest with yourself if you stink. But YOU have to be self-aware enough to know that you stink. Because trust me, you won’t believe anyone else that tells you that because your pride will get in the way. #4. Bizarrely enough, and almost in counter to #3, DO NOT read your reviews on iTunes or anywhere else. They don’t matter. Trust me, you’re going to reject the ones that say you’re terrible and you’re going to completely believe the ones that give you 5 stars. Both kinds of reviews are probably wrong. This goes back to #3 in that YOU have to know if you’re good or not—do not rely on reviews to tell you that. If you are good, the audience will find you. If you are not, they won’t. Reviews don’t matter. #5. Find good people to help. Now, this is the most direct way you can tell if your podcast is good. How? By how much other people want to be involved with it. If no one ever comes to you and asks to help out in some way, THAT should tell you something. For example, every assistant I have came to me—I didn’t have to seek them out. They heard Unfound and desired to be a part of it because they believe in the cause that the podcast represents. I didn’t have to convince them of that—they convinced themselves of that. Unfound is what it is because of all the help I receive and the work my assistants do. And once you have people helping you, trust them. Give them important things to do. Do not helicopter parent them. Always mention them to your audience. #6. Don’t start seeking ads and Patreon members as soon as your first episode comes out. Why? It makes it look like you feel entitled to be given money just because you recorded some words into an mp3 file. And that’s pathetic. EARN your audience. Get to the point where THEY ask you to start a Patreon account so THEY can contribute—another way you’ll know your program is good. Me? I didn’t start a Patreon account until Unfound was 14 months old and it was because listeners requested it. And I STILL don’t have any ads in my podcast. #7. Find ways to branch out past podcasting in whatever genre you select. Just like actors are known as triple threats—sing, dance, act. You do the same. Find groups to speak to. Write blogs. Host a live show on YouTube or Facebook. Don’t just do . . . the podcast. Welcome Back to The Podomatic Feature Series! Leading us into Spring this year is Rainbow Country, our #1 Ranked LGBTQ Podcast. Mark Tara, creator, and host of Rainbow Country aims to shine their spotlight on the incredible and often overlooked work of creatives in the LGBTQ Community. Guest interviews with professionals in film, TV, and music, always lead to Hot Topic discussions on arts, culture, health, and business. Rainbow Country has everything one needs to learn something new. Check out our interview below!  Start Your Podcast HERE When, how and why did you start podcasting? "I have to say I didn't START podcasting. Podcasting said "GURL you better catch up!" Allow me to explain. In June 2016 I started my Gay radio show Rainbow Country on CIUT895FM in Toronto & it wasn't until a year into my show I realized I was selling myself short by not offering the show up as a podcast, so, I did my research & realized that Podomatic offered, among other things, a Gay and Lesbian chart. It was that moment podcasting said to me "GURL you better catch up". So I joined Podomatic & I'm happy to say as a result, Rainbow Country is usually in the top 10 of Podomatic's Gay & Lesbian chart & the show has gotten as high as #1! Something I'm very proud of." How did you pick a subject/topic? "Picking a TOPIC or SUBJECT usually happens organically. Something that catches my attention. I'll reach out to potential guests & usually it works out. I'm fortunate to say I've had on leaders & regular members of Canada's LGBT Community plus I'm happy to say I've had on Oscar winners, Grammy winners, best selling authors, film & music festivals as well. I'm always looking for ways to expand the show." Advice for people that haven’t pressed record yet? "What I've learned is that what works for one, may not work for another. That being said, I think if people are looking to get into podcasting they should take their time to find their voice. What makes you unique to other podcasts that are out there? Be professional. Professionalism will take you places & just as importantly pick the best platform to host your show that will get your show out to as many ears as possible. In my professional opinion, Podomatic stands head & shoulders above the rest." Hello Podcasters and welcome back to another edition of The Podomatic Feature Series! This week we spoke with SoCal Dj/Producer/Podcaster Cuscino about his podcast and radio show “Future/Sound with Cuscino”. Like many of our pods, this one was born out of passionate necessity and wild creativity. If you’re desperate to experience something you’ve never heard before, tune-in to the meticulously curated, Future/Sound podcast. But you don’t have to take my word for it, get the inside-scoop from Cuscino himself below! Futuresoundradio.com  1. When, how and why did you start podcasting? I started my weekly (and now nationally-syndicated) radio show, Future/Sound with CUSCINO, all the way back in May of 2015, with my first pilot station being RezRadio (a small FM station in San Diego, California)…many thanks to John and the station there for believing in the concept and letting me run with it there. That was the beginning…I used to drive down from LA to SD every couple weeks to record, and pre-record episodes of the show in the station’s studio. I was really grinding it out then. From there, it was always my original intention to have a place to preserve past episodes of the show, and allow fans of the show — whether located in SoCal or elsewhere — to re-listen to past episodes from anywhere in the world…and that’s where podcasting came into play as a natural extension of the show, especially with many of the tracks I include in the weekly mixes being brand new music from artists, producers, and DJs making the freshest, most progressive bass-centric music from around the globe. I curate each and every track that's featured in the weekly mix every single week, in search of the newest trap, futurebass, futureTrap, progressive EDM and everything in between. Those artists and producers dedicated to pushing boundaries and creating new movements in sound — as I’ve always been when producing my own music — that’s who and what I look for. 2. How did you pick a subject/topic? For me it was a natural part of my own evolution as a progressive electro/trap/hiphop artist/producer and DJ myself. It’s something I’m passionate about, naturally. I’ve been writing, recording, and producing, as well as performing live both as an artist (original material) as well as a trap, chilltrap, and deep bass DJ (depending on the vibe and venue) under the name CUSCINO. Before then, I’ve been in bands (heading up the guitar and electro/texture element departments) and electronic production outfits since before I could drive a car. I’ve also done quite a bit of scoring/composing for film in the past, so creating an hour-long arc/soundscape/mix for fans of this type of music to vibe to, watch Stranger Things on mute to, or whatever just felt like a natural progression for me as a creator, artist, DJ, influencer, or whatever you’d like to consider me. It wasn’t really too daunting to me in producing an hour-long specialty show like this since I was used to creating larger bodies of work already…It was more of a challenge, one that I was excited to take on. As I was already hand-picking and curating tracks carefully for each of my sets, at some point, it just made sense to me to formulate it all into a radio show that could be aired to more people than I could ever share these gems within a single venue, or in a single mix — it enabled me to be in well, over 100 countries now, at one time. That’s the stuff of superhuman and superheroes in my book :-) This was also something I noticed was really missing in the electro/EDM/trap/futurebass space — there really weren’t many artists/DJs producing any sort of consistent, weekly show that existed on FM airwaves or in the podcast space that are ultra high-quality and super high-fidelity, with tons of replay value. Sure, there’s plenty of automated stuff going on Sirius XM, but as both a performer and a fan, these often lack any sort of arc, excitement, or human touch because they are often automated…and soul-less. As a fan, and creator, of this type of music, you want to feel something, and experience something, and that’s my goal with each and every show. 3. Advice for people that haven’t pressed record yet? Truthfully…if you have the itch to create a podcast, or radio show, just start. Find something that you’re passionate about, that you love, and that you could do — or talk about — all day every day, and you’ll have the ability to create more content than you’ll ever be able to use. Don’t let perfectionism kill your vibe either. Most likely, your first few shows (or more), may simply suck. And that’s ok…you’ll get the hang of it and improve your game along the way. Practice makes perfect. And as you go along listen to your shows, get feedback from people, listen to other shows, and improve as you go along. You don’t need a $10,000 mic these days either to have a radio show, but some basic audio engineering understanding can go a long way. If you don’t have that, fear not…find a friend that does, or there’s even little podcast studios popping up in certain parts of the world where you can just plug-in and hit record if you don’t have the stuff at home. 4. Which one of your episodes would you recommend to a new listener? Honestly, any of them! Each and every episode’s feature tracks are curated by me, arranged in a set, and then mixed live with no edits (aside from the voiceover throughout the show). Future/Sound with CUSCINO is now on episode 207 as of this writing, running 4 years strong, has an FM listener footprint of more than 1 million people via our FM affiliate stations, and is downloaded in over 100 countries now. There are great tracks, approved by yours truly, in every episode, but hey, if I have to pick a number, start with Episode 180 (Side A), and work forward from there. That’ll give you plenty to vibe to. Greetings Podcasters and welcome to a Brazilian edition of the Podomatic Feature Series! This week we introduce you to HotMix Club from Sao Paulo, Brazil. HotMix Club is one of our many amazing music/DJ podcasts and is sure to pump up your bass. Influenced by everything from Novos Baianos to Whitney Houston, Reinaldo has what you need to get your groove back. Start your Podcast Here! Reinaldo had this to say about HotMix Club; rcleston.podomatic.com When, how and why did you start podcasting? "I started my podcast on September 24 2011, officially, this episode was a demo for 97 FM (radio station in Sao Paulo, Brasil). I wanted to work as a DJ on this radio and do podcasting for the possibility of improving my skills during my course at university." How did you pick a subject/topic? "The subject I chose because I love EDM. In my childhood, I listened to Gigi d'Agostino, Whitney Houston, Dj Sammy and others. I saw that the music disappeared with the time and I playing in my program this music to keep/save history." Advice for people that haven’t pressed record yet? "I'd say to record your first episode. This episode is the hardest because you will be afraid. After some episodes in Podomatic you see that is easy peasy.” What a fantastic story. HUGE thank you to Reinaldo for doing this interview and doing it in English! (Portuguese is his native tongue.) It’s a huge thrill to have so many podcasters from all over the WORLD, as part of our podcast community.  Hello podcasters and welcome back to another edition of The Podomatic Feature Series! This week we spoke with the buffest of all film buffs, The Film ‘89 Podcast. The crew has been reviewing and spoiling movies on their site film89.co.uk for years and in 2018, finally brought their voice to the podcasting world. Not your typical movie review pod, Film ‘89 deep dives into the concepts and methods of film making with expert guests from documentary producers to visual effects experts, illustrators and more! Check it out on Podomatic film89podcast.podomatic.com When, how and why did you start podcasting? “We started the podcast in January 2018 after a few of the guys on the site had cut their teeth as guest hosts on the brilliant @WrongReel podcast with its host @colebrax.” How did you pick a subject/topic? “With us, our podcast was always going to be centered around film & television as that’s the subject of the site we run, http://film89.co.uk. We’re all hugely passionate cinephiles.” Advice for people that haven’t pressed record yet? “Our best advice is to just be yourself. Being genuine counts for a lot. And also be judicious in your editing. Keep the conversation flowing and to the point. Editing out long pauses and hesitation makes so much difference to the flow of an episode.” Start Your Podcast Here!  Welcome back podcasters! To The Podomatic Feature Series This week, we spoke with DucksNPucks podcast to get the cold hard facts about starting a Hockey Podcast. These folks have been cheesing greasy wristers from the blue line since 2014 and always have fresh episodes for us hockey fans! Check out the podcast here! ducksnpucks.podomatic.com FB- @DucksNPucksblog IG- @ducksnpucks Twt-@ducksnpucks 1. When, how, and why did you start podcasting? DucksNPucks podcast was started in the summer of 2014 before the 2014-15 NHL season to compliment DucksNPucks.com which was started earlier in the year to cover the Anaheim Ducks and NHL through written articles and social media. The podcast gives fans a place to ask questions about the Anaheim Ducks and hockey. [It] was also designed as a place for news and hot topics for hockey fans. There weren’t many options in terms of podcasts that covered the Ducks. To this day there still isn’t an official podcast run by the Ducks hockey team. 2. How did you pick a subject/topic? The topic for the show was chosen based upon the DucksNPucks articles and social media that were already covering the team and sport of hockey. We also decided to cover the NHL and sport of hockey in general so the show wasn’t just focused on the Anaheim Ducks. 3. Advice for people that haven’t pressed record yet? The biggest advice we can give to someone that wants to do podcasting is to first find a topic that is big enough to develop a decent-sized audience. If the topic for the show is too narrowly focused, then it might be difficult to build a following. Also, do some research in regards to technology and test out the equipment before trying to record an actual show. In the beginning, we went through some growing pains trying to use different types of equipment and different recording methods. Start Your Podcast Here!  Welcome back to another edition of The Podomatic Feature Series This week we bodyslam you into the world of Professional Wrestling with the Two Man Power Trip of Wrestling Podcast! www.podomatic.com/podcasts/tmptow With in-depth interviews, researched discussions, and a whole lot of DDT’s, you can't go wrong with this one. We asked John (co-founder) a few questions before he choke-slammed our intern: 1. When, how and why did you start podcasting? Starting the podcast was a well thought out venture, called the Two Man Power Trip of Wrestling. We started the podcast in January of 2015. Originally, we would just record phone calls of ourselves talking about the business we loved so dearly: professional wrestling. We really wanted to do something in the wrestling business that was fun and wouldn't be a burden on us. It was more of a passion play or a labor of love for us. We wanted to do it because we felt like there were so many stories to tell about the wrestling business and more importantly the wrestlers themselves. We had agreed early on that this would be strictly wrestler interviews and that is how we would drive the show and tell their stories. 2. How did you pick a subject/topic? The way we would pick a subject (or guest) was fairly simple: interview anyone from within the wrestling business who had a story to tell. One very easy thing to figure out early on was that the wrestlers always had a story to tell. So we will interview wrestling legends, Hall of Famers, current stars, future stars and people who worked behind the scenes as well. Sometimes the subject(s) are very topical as they have upcoming shows, movies, projects, signings etc to promote. We have been doing this for 5 years plus, have done over 430 shows, and have no signs of slowing down anytime soon as the guests just keep on rolling in. Picking the subject (or guest) is usually very fun, but sometimes securing them for the interviews can be a battle. 3. Advice for people that haven’t pressed record yet? My advice for people that haven't pressed record yet is, you have to be very passionate about what you want to record. This is going to be your show, and yes you want it to be successful, but you have to love it as well. For whatever it is you decide that your focus will be, I also suggest that you do your research. Even if you think you know the topics you are going to discuss well, it's always a good idea to do even more research. As long as you love what your talking about and are prepared, you should never be intimidated to hit that record button and start your podcast. Passion plus research will ensure a great podcast that you will love recording each week! Start Your Podcast Here!  |
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